Secondary Readings

Recommended reading:

‘An Introduction to VRA Core.’ The Library of Congress. Library of Congress. 28 September 2014. Web. 10 September 2015.

Baca, Murtha and Patricia Harping, ‘CDWA List of Categories and Definitions.’ The Getty, J. Paul Getty Trust. 2014. Web. 10 September 2015.

Baca, Murtha, et al. Cataloging Cultural Objects: A Guide to Describing Cultural Works and Their Images. Chicago: American Library Association, 2006. Print.

Bal, Mieke, and Norman Bryson. ‘Semiotics and Art History.’ The Art Bulletin. 73.2 (1991): 174-208. Print.

Barthes, Roland. A Barthes Reader. Ed. Susan Sontag. London: Vintage, 2000. Print.

Barthes, Roland. ‘The Photographic Message.’ Image – Music – Text. Ed. Stephen Heath. London: Fontana Press. 1977.  15-31. Print.

Barthes, Roland. Camera Lucida: Reflections on Photography. New York: Farrar, Straus, and Giroux. 1981. Print.

Batchen, G. Photography’s Objects. Albuquerque: University of New Mexico Art Museum, 1997. Print.

Bazin, André. ‘Ontology of the Photographic Image.’ What Is Cinema? Translated by Hugh Gray, Berkeley: University of California Press, 1967. pp. 9-16. Print.

Benjamin, Walter. ‘Little History of Photography.’ Selected Writings, Volume 4: 1938-1940. Ed. and Trans. Michael W. Jennings and Howard Eiland. Cambridge, Massachusetts & London: Belknap Press of Harvard University Press. 2002. Print.

Berger, John. Ways of Seeing. London: British Broadcasting Corp. 1972. Print.

Bryant, Marsha. Photo-textualities: Reading Photographs and Literature. Newark: University of Delaware Press. 1995. Print

Burgin, Victor. The End of Art Theory: Criticism and Post-Modernity. Atlantic Highlands, NJ: Humanities Press International. 1986. Print.

Burgin, Victor. Thinking Photography. London: Macmillan, 1982. Print.

Cadava, Eduardo. Words of Light: Theses on the Photography of History. Princeton: Princeton University Press. 1997. Print.

Cavell, Stanley. ‘What Photography Calls Thinking,’ Raritan 4.1.21. 1985. Print.

Charles S. Peirce, ‘Logic as Semiotic: The Theory of Signs’, Philosophical Writings of Peirce. Ed. Justus Buchler. New York: Dover. 1955. Print.

Hillmann, Diane I. Using Dublin Core. Dublin Core. Web. 20 September 2015.

Holly, M.A. Past Looking: Historical Imagination and the Rhetoric of the Image. Ithaca, NY: Cornell University Press, 1996. Print.

Edwards, Elizabeth and Janice Hart, editors. Photographs Objects Histories. London and New York: Routledge, 2004. Print.

Friday, Jonathan. Aesthetics and Photography. Aldershot, United Kingdom: Ashgate, 2002. Print.

Pinney, Christopher. ‘The prosthetic eye: photography as cure and poison.’ Journal of the Royal Anthropological Institute 14: (2008b). S33-S46. Web. 10 September 2015.

Rose, Gillian. Doing Family Photography: The Domestic, The Public and The Politics of Sentiment. Kent, UK: Ashgate. 2010. Print.

Scott, Clive. The Spoken Image: Photography and Language. London: Reaktion, 1999. Print.

Sonesson, Göran. ‘Semiotics Of Photography: The State Of The Art.’ International Handbook Of Semiotics (2015). 417. PDF file.

Sontag, Susan. On Photography. New York: Farrar, Straus and Giroux,.1977. Print.

Sturken, Marita, and Lisa Cartwright. Practices of Looking: An Introduction to Visual Culture. Oxford: Oxford University Press, 2001. Print.

Tagg, John. The Burden of Representation: Essays on Photographies and Histories. Minneapolis: University of Minnesota Press. 1988. Print.

Walton, Kendall. Marvellous Images: On Values and the Arts. New York: Oxford University Press. 2008. Print.